TAP3 (Limited Edition, Memory Stick, Cassette)

Artist: Dadahack
Country: U.K.
Label: ServiceAV
Released: 26 April 2010
Genre: Electronica / Downtempo / Dubstep / House

Umbrella Of Early Spring 早春的雨傘

Artist: Not Sure Yet 不一樣 + Dou Wei 竇唯 + Zhang Jian 張薦
Country: China
Label: Dou Wei's Studio Workshop
Released: 10 April 2010
Genre: Experimental / Instrumental / Abstract / Chinese-Underground

I Do Not Mind…If You Leave Me

Artist: Monster Kar 怪獸阿佧
Country: China
Label: DBG Eating Record
Released: 20 April 2010
Genre: Pop-Rock / Electronica / Downtempo / Chinese-Underground

Where The Light Gets In + Widows (Japanese Expanded 2CD Edition)

Artist: Sennen
Country: Japan
Label: Rallye Records / Hungry Audio
Released: 14 April 2010
Genre: Post-Rock / Indie-Rock / Shoegaze

Age Of Denial (Japanese Edition)

Artist: Sennen
Country: Japan
Label: Rallye Records / Hungry Audio
Released: 14 April 2010
Genre: Post-Rock / Indie-Rock

Darkroom Dubs Vol.2

Artist: Silicone Soul
Country: U.K.
Label: Darkroom Dubs
Released: 19 April 2010
Genre: Electronica / Dub-Techno / Minimal / Tech-House

Ilolinna (Japanese Edition)

Artist: Film Noir
Country: Japan
Label: Rallye Records
Released: 21 April 2010
Genre: Indie-Rock / Alternative-Rock / Post-Rock

Bring Me The Moon

Artist: Matzak
Country: Germany
Label: Boxer Recordings
Released: 26 April 2010
Genre: Electronica / Tech-House / Minimal

A Mishmash Of Changing Moods

Artist: Applescal
Country: Germany
Label: Traum Schallplatten
Released: 23 April 2010
Genre: Electronica / Downtempo / Minimal / Techno

Revep (Re-issue, Digipack)

Artist: Alva Noto + Ryuichi Sakamoto 坂本龍一
Country: Germany
Label: Raster-Noton
Released: May 2006
Genre: Electronica / Modern Classical / Glitch / Minimal / Abstract
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See also...


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(Japanese Paper-Sleeve Digipack Edition with Japanese Obi sleeve)
Volume 2 in the ongoing Japanese Avant-Garde Cassette Reissue Series. The 80s and early 90s saw a great deal of fascinating material released on cassette in the Tokyo underground. While some of the more noise-orientated stuff enjoyed a modicum of international distribution, the avant-garde material generally did not. [...]

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